kstarke comes up with 2 more previously unreleased tracks from the vaults.

its been 2 years since benny rodrigues last release on be as one and since then, the young dutch producer has pushed forward his career, both in the studio and in the dj booth. having remixed people like josh wink, dj pierre, justice, spirit catcher to name just some and released on ovum, poker flat, figure, klockworks, with a busy dj schedule in clubs as berghain or rex, at his young age benny is clearly a well respected artist. benny rodrigues interpretation of acid house takes the form of i like acid, and surely it sounds classic! acid synth madness like in the old days but with an updated touch to rock the floors in 2011. choice hypnotic appeal will not get unnoticed on the floor, once again a track that finds its strenght in the basic structure of its arrangement, effective drums patterns with a freakish top line that carry the track into peak time. steve rachmad remixes as sterac are always a treat, and here the techno legend doesnt fail to impress once again with his take on bennys i like acid. snares, hi-hats, rides and bass, all arranged to build up to a melodic and emotional breakthru, dancefloor bliss for the detroit techno heads. to close this amazing package, germanys own mike dehnert brings his trademark sound to be as one in the form of his remix of i like acid. a tune that finds its perfect habitat in dark, smokey and sweaty rooms with massive sound systems.

chicago don dj pierre asks the question >what iz house muzik< and answers in his own unique way. classic pierre.

vinyl only. auf matrosen, ole! renate schallplatten kicks off with a great ep of wareika with remixes by dop and acid pauli. wareikas original is a remake of an old german sailor song which is perfectly >interpretiert< by the three guys from hamburg. acid paulis mountain girl remix has a more cluby appeal but still keeps the vibe of the original. the crazy boys of dop totally flip all parts of the original into a new wave-eurodance-timetravel journey. early support and heavy plays by justin bieber, lady gaga, jack sparrow and all other big balled mainplayers of the westfalen tekkno scene

barn 003 is a split single featuring two tracks ? one a cut-up disco monster by our good friend from gothenburg, andreas jonsson (or acid andy as his mother calls him) ? the other a psycho killa trancehall jam from sweet old boman himself. both tracks have been tried, tested, rinsed out and wheeled up by us barnhus boys for a few good months now ? feel free to give them a chance at your own local discothèque this weekend!

phonicas seventh release comes from paul woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating hes an artist who never stops evolving. fresh from a tour with, and in advance of a release on planet e, paul woolford continues his rise to becoming one of the most important electronic music artists of the decade with his first release for phonica, a label who have unleashed some unrivalled quality cuts on their catalogue. opening this special double a-side 12 inch is >cant do without<, a bone-shaking record that is laced in originality. building up slowly from a tape-hiss-laden break, a low-slung bassline and a deep yearning vocal, >i cant do without you< is sublime dancefloor material. engaging from the outset with clever broken beats that build playfully into an emotive, psychedelic breakdown to get lost in, woolford demonstrates why he has achieved so much success in his game. on the flip >bareback< treads into dark acid territory that is a hybrid of techno and dubstep in a similar vein to actress and recent material from instra:mental / boddika

his version of the dirty genre is brought to life with melodies that seem to flow out of a local pub in drexciya?s bubble metropolis. with the final track, ceephax drops us back into the future with ?russia? a krafwerkian dancef loor killer. what a way to go? drop everything else for one of the strongest ceephax releases to date!

our 7th vinyl contains 4 trax with a little oldshool tip. ranging from acid house and detroit techno to soulful deephouse. the artists behind are sek and bodj, both well known for their top notch releases on labels such as off recordings, percusa and apparel to name just a few.
early support coming from dimi angelis, nekes, johnny d., spiky, ...

bunker and snuff trax artist elec pt.1 kicks off the new abstract forms sub label with some raw and jacking acid vibes.

slamming three track ep, first track afro acid is a raw, noise (distortion effects) and dirty sounding with live feeling, not made for high fidelity people, really really raw... flipside is more for deep & jackin house lovers, especially b2 (freedom) is just a deep house masterpiece

here it is! shaddocks 1st release >acid dreams e.p.< by the enigmatic duo hitsafe, comprised of two individually accomplished producers from germany and usa.

das pariser duo acid washed und releast bei record makers ihr neustes album, liebevoll >acid washed< genannt. gewohnt angenehm und entspannt, aber keinesfalls langweilig präsentiert sich ihr neues album.

300 copies ltd 10 pressing incl 2 functional techno tracks

tony christie is fast approaching his 50th anniversary in the music industry and to celebrate, new label acid jazz put him back in the studio to make an album that takes him back to his roots.
>now s the time!< boasts a collection of original and new well-crafted soul songs that have been beautifully conceived and movingly delivered. there are nods to johnny cash and spaghetti westerns, and collaborations come from jarvis cocker and roisin murphy.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

it is no secret that bloop has gained a cult following in the few years that it has as a label. release after release, the portuguese imprint has put quality over quantity. and by doing so, it has earned the respect of the djs. one of the releases that made it gain that status has to be anonyms >fazer-me a cabeça ep<. its two tracks from an anonymous producer from detroit, that had just released an acclaimed ep on sushitech, was so well received that it helped in raising the profile of both anonym and bloop. so it is a great pleasure to have anonym back on bloop with >a is for acid, b is for bass<. two raw jabs of techno and rave, two strong statements of how detroit techno has still a lot to say

the debut release in this new series done by absurd recordings. the first acid test 12inch features 3 tracks from tin man including a remix of >nonneo< by donato dozzy. mastered by rashad. hand painted 12inch jackets

twisted tongue follow up their acclaimed debut album with the first single from their follow-up lp, >a return to space<. eschewing the p-funk stylings of their self-titled debut, twisted tongue (dave jay & mark dalton) provide an essential revival of the mid-tempo soul stepper, featuring guest vocalist johanna lee sweetly leading a tough, incessant groove that recalls the classic likes of nick martinelli and the mizell brothers. twisting the track even further are the remixes provided by dj ray mang (dfa, mangled), one of the founders of londons nu-disco scene, who has long taken inspiration from new yorks golden era of the loft and paradise garage. twisted tongue writer/producer dave jay joined forces with ray for his >mang vs. mondo< ep on mangled earlier this year, and here mang returns the favour by dubbing out and extending >a return to space< to mind-bending effect. on the flipside is the cinematic, downtempo remix by blue states, which subtly subverts the original, transforming the track into a late night indie excursion. andy dragazis (blue states) has now been delivering his unique brand of melancholy, guitar-led head music for over decade, via labels such as xl recordings, and this mix of >a return to space< ranks up there with his most memorable work

boys noize has compiled 12 modern acid jams done by bnr artists and homies like feadz, joakim & krikor and brodinski tributing 20 years of acid....

after his rather menacing vision called >worlds end< (hometrainer/acid pauli 12inch, dec 2010) acid pauli pulls another two typical tricky tracks out of his musical drawer. but, to confuse right from the scratch, he gave them polarizing names such as >like it< and >dont like it<. has he possibly planted something on us?

!!vinyl only , ltd repress!!! yo hermeneutics! acid pauli (console, notwist, electronist) knows where the shoe pinches: we all need more soul. marvin is like these rare double groove vinyls, where two songs running parallel, (you may think oops the needle is hopping) well, in the middle of the tune the striation crosses, and then it ooze out soul and the sun rise

bangin uk acid techno.

watergate records returns with their fourth vinyl edition. once again it focuses on exclusive tracks from the highly successful mix cd series, named simply after the club: watergate. this, now the seventh edition, is mixed by resident and versatile producer lee jones, and features a fine selection of nearly almost exclusive tracks. three have already been featured on the >peacock ep<. continuing with their tribute to the animal kingdom, albeit this time a little something for the ladies in the house with the >peahen ep<..

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

transparentes vinyl. mit remixen von danger, daniel haaksmann, digikid84, mickey moonlight und the hacker!

may this record be understood as a diabolic statement coming along with the winter season or even as an affront?
hometrainers affinity of doomed dispositions (possibly seen as humor) might be known to a few by tracks from the early 2k. now he turns the table and shouts out: >get up to nowhere.< sounds like an offense he made. acid pauli did like this right in time to produce another track that points it metaphorically out.

dj pierre, the creator of acid, making his debut apearance on slap jaxx the new imprint of angel alanis. going back to his roots as the acid don with remixes by damon wild & loco & jam. a collectors dream.

acidsex continues with the 3rd release. this time 3 powerful and oldskool flavoured acid tracks by matt star.
supported by: richie hawtin, 2000 and one, frank leicher, xpansul, sebastian altstadt, and many more

slamming acid - techno - electro mixture

3rd part of mark brooms >acid house< album comes on blue vinyl.

dark, muscular and acidic techno by the one and only abe duque!

heller is back with a killer new track nu acid is indeed just that working a wicked acid groove into a new style

capsula presents a new release, featuring excellent dark techno by dave manuel and acid mouth, including remixes by xpansul and greenbeam & leon!

the legendary dj pierre returns with his afro acid plastik label ft the vocals of dawn tallman.

part 2 of mark brooms >acid house< album sampler comes on clear yellow vinyl.

fresh 2010 repressed! acid tech classix , incl original mix (remastered), kai tracid mix, elektrochemie lk rmx (by thomas schumacher)

excellent album sampler

two of the most promising producers go head to head & present with >it was acid<, an absolute dancefloor-killer-track. hornbostel & azzetto understand like no other how to bring the sound of the 90s into the 21st century & remind us all that there were great times in the past.

the environmental radiation dose on the moon ep is the first collaboration between zooloft and aconito records. the two labels are twinned in exploring the limits of techno, experimenting with structures and sequences and ultimately arriving at the place where the deep and dark sublimes. the ep opens with the child that was watching the moon a track lifted right out of the drone-techno hymnal. it starts with muddied, subterranean bass and builds not just outwards but inwards. filled with obtuse references and metallic rasps the atmosphere created is obscure and spectral. on the reverse the moon that was watching the child sounds like its been exposed to radiation. the sounds are distorted, as if created from samples of the genome unzipping. the arrangement is stunning, bells filter in and out and the layers smelt into one another. there is awe at work here, but its an awe that remains underpinned by terror. this release, mastered in berlin at the legendary calyx studio, is something of a record collectors dream. it will be released on solid silver vinyl in a very limited edition of just 200 copies. za000ltd should be enjoyed on wax, this wont be available digitally.

nice price deal !!! shree bang special: this is an angular and unrelenting dose of hip hop acid. crunching diplodocus drums stomp holes as tsunamis of grinding bass level the remaining city-scape. the remaining survivors are driven into the mountains by the huge waves of synthetic noise and the threat of a rave induced frontal lobotomy.

nice price deal !!! savage ceephax release featuring the additional talents of <acid quiff<. essential for fans of rephlex / planet mu etc...... limited 180gram heavyweight blue vinyl... ceephax acid crew and acid quiff live up to their names with this hot acid stew for kitchen dweller. comes with a mushroom and coriander curry receipe by harry clopp. and dont forget to visit chelmsford and sheppey!

einmal mehr liefert robert babicz dicksten sound für alle gelegenheiten, insbesondere aber natürlich jene, in denen die tänzermenge bewegt werden will. das gilt besonders für seine aktuelle >remember<-ep, denn hier zieht robert alle register hochfunktional funkenden primetime-technos. vom erotisch düsteren futurismus eines tracks wie >storm lunch< über den unendlich mobilen titeltrack bis hin zum rauschhaften spannungsaufbau von >black wisdom< lässt unser held die brillianten sound-einfälle regnen und gönnt sich keine verschnaufspause bis auch der letzte widerstand gebrochen, der letzte feierwille gesättigt ist.

two badd cuts on this 12 here! the a side >she s acid< sounds like maxmillion dunbar meeting up with dam-dunk. the flip has >must move<, very much with hydraulic pump type of beats and a sick bass arpeggio running through.

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

both luke vibert and radioactive man are seminal electronic producers who always deliver with a flourish. they have continued to impress recently with viberts >we hear you< album for planet mu and radioactive mans >growl< album on his own control tower that was also picked up for fabrics in-house label. luke vibert puts a kerrier district spin onto his version of tudor disco, which will move your mind and your feet with its driving acid groove, while radioactive mans luscious remix of urgent takes its influence from carl craigs (69) track desire.